
Throughout the film there is a lot of humor, but the comedy is not too broad. It is a white-knuckled scene that ends with a very funny comedic payoff that the film has been setting up since the beginning. The stunts in this film are amazing as Sato and his pursuers go from floor to floor and up down and around the roof-high scaffolding.Īs the icing on the cake of this sequence, there is a Brian De Palma-like tension filled moment where a little girl comes out onto the edge of the scaffold trying to reach a balloon. Sato runs, kicks, punches, and shoots (non-lethal shots, as he has been forbidden to kill, lest we forget!) as dozens of men rain down upon him with guns, knives, and Martial Arts skills. Still high up, Utsobo has hired a team of killers who immediately move in for the attack. Dropping three stories down, he pulls himself onto the ledge and back to the “safety” of another floor. He knows it’s a trap (there are explosives set to go once he opens the door), so he ignores it and leaps over the side to get out of the way. Sato is set up to go to an apartment on a top floor of a building. The film’s biggest and most exciting action set piece is a jaw-dropping attack set in and on a high-rise apartment building. It is an amazing sequence done without CGI that immediately grabs the audience’s attention.
#The fable 2021 movie series#
The film opens with a series of fast and clever assassinations that leads to one hell of a car stunt that goes through, up, and off the high side of a car park. Once he comes face to face with Sato and discovers that he is actually The Fable, tensions mount, a coming face-off looms large, and loyalties are tested. His style is Japanese Action Cinema cool with his purple trench coat, dark glasses, and long black hair. Masanobu Ando is Suzuki, the most interesting character in the film. Etsuji planted cameras in the apartment of a work client and now Utsobo is ready to pounce on his single mother’s money.

The pot begins to boil as his nerdy work colleague Etsuji (Masao Yoshii) finds himself in the crosshairs of Utsubo (a soulful yet ultimately sinister Shin’ichi Tsutsumi), a true villain who extorts money from the parents of young people who have gotten themselves in trouble. The two live as brother and sister to further throw off any scent of Sato’s identity.Īll is as good as can be in this kind of situation until one of Sato’s former targets resurfaces and, in his life and his job, all Hell is on the verge of breaking loose. He shares an apartment with his handler of sorts, Yoko (Fumino Kimura). The sequel finds Sato living a double life and working a good job at a design company an occupation where no one could ever discover his violent past, right? He was also given orders not to kill anyone. In that film, Sato killed so many that his boss ordered him to take a break and blend into normal society for a while. Premiering at this year’s New York Asian Film Festival, “TheFable: The Killer Who Doesn’t Kill” is a sequel to 2019’s “The Fable”.
#The fable 2021 movie professional#
The Fable is a professional killer who is a legend, perhaps even a ghost story, for gangsters in the criminal underworlds. An assassin called “The Fable”.Īkira Sato (Junichi Okada) a.k.a.

An assassin who carries a single-action gun filled with non-lethal bullets. An assassin that can subdue his prey in six seconds.
